Clark W Fobes Debut Student Alto Saxophone Mouthpiece
Creative Saxophone Improvising (book + CD)
WF139 - I Used to Play Tenor Saxophone BK/MP3
Hank Mobley BLUE NOTE 1568
Clark W Fobes Debut Student Tenor Saxophone Mouthpiece
Creative Saxophone (book + CD)
The Manhattan New Music Project: Bruce Williamson (alto saxophone, flute, clarinet, bass clarinet), Chuck Clark (soprano & tenor saxophones, flute), Tim Reis (baritone saxophone), Jack Walrath (trumpet, flugelhorn), Ron Tooly (trumpet), David Taylor (bass trombone, tuba), Tom Varner (French horn), Jon Kass (violin), John Ladd (viola), Mary Wooten (cello), Neal Kirkwood (piano), Paul Nash (acoustic & electric guitars), Jeffrey Carney (bass), Jamey Haddad (drums, percussion).Recorded at M & I Studios, New York on September 3 & 4, 1992. Includes liner notes by Howard Mandel.All songs written by members of The Manhattan New Music Project except "I Didn't Know What Time It Was" (Rodgers/Hart).
Full performer name: Lionel Hampton & The Golden Men Of Jazz.Personnel: Lionel Hampton (vibraphone); James Moody (vocals, tenor saxophone); Buddy Tate (tenor saxophone); Clark Terry (trumpet, flugelhorn); Harry "Sweets" Edison (trumpet); Al Grey (trombone); Hank Jones (piano); Milt Hinton (bass); Grady Tate (drums). Recorded live at the Blue Note, New York, New York from June 11-13, 1991. Includes liner notes by Donald Elfman.
Personnel: Duke Ellington (piano); Ray Nance (vocals, trumpet); Jimmy Grissom(vocals); Russell Procope (alto saxophone, clarinet); Rick Henderson (alto saxophone); Jimmy Hamilton (tenor saxophone, clarinet); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone, clarinet); Willie Cook, Clark Terry, Cat Anderson (trumpet); Britt Woodman, Quentin Jackson, Juan Tizol (trombone); Oscar Pettiford (cello); Wendell Marshall (bass); Butch Ballard (drums).Recorded live at the Pasadena Civic Auditorium, California on March 30, 1953.Includes liner notes by Stanley Dance.Capturing a March 30, 1953 gig by the Duke Ellington Orchestra at Gene Norman's legendary Crescendo nightclub in Pasadena, California, THE 1953 PASADENA CONCERT exemplifies Ellington's standard concert program of the time. Starting with two extended pieces, "The Tattooed Bride" and a sterling run through tenor Paul Gonsalves' traditional solo showcase "Diminuendo and Crescendo In Blue," the set moves through a few blues and jams, punctuated by a lengthy and frequently hysterical monologue by Ellington himself.The set then showcases gifted vocalist Jimmy Grissom on three tunes, including his signature classic "Do Nothing Till You Hear From Me," before ending with a quick medley of nine Ellington standards which clocks in at just under seven minutes. As always, Ellington's band--also featuring stalwarts Ray Nance, Cat Anderson, Juan Tizol and Harry Carney--is a model of grace and economy. Throughout the decade (and arguably the century), there was no better big band to be found in jazz.
New Orleans Nightcrawlers: Craig Klein (vocals, trombone); Jason Mingledorff (saxophone, clarinet); Ken Jacobs, Eric Taub (saxophone); Kevin Clark, Barney Floyd (trumpet); Henry Butler (piano); Frank Oxley, Peter Kaplan (drums, percussion).Producers: New Orleans Nightcrawlers, Scott Billington.
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"Versace On The Floor" Bruno Mars - The Cannonball Band saxophone cover ft. Randal Clark
The Cannonball Band features its own Randal Clark in Versace On The Floor by Bruno Mars & Philip Lawrence, arr. Kris Johnson Musicians: Alto sax: Randal Clark - AVR-L Vintage Rerborn Tenor sax: Tevis Laukat - TVR-BR Vintage Reborn Baritone sax: Ryan Lillywhite - B5 Mad Meg Trumpet: Howard Summers - 790RL-B Artist Series Trumpet: Seretta Hart - 727-S Big Bell Stone Series Trombone: Alex Heitlinger - TB18-L Artist Series Drums: Joel Stevenett Guitar: Kenji Aihara Bass: Matt Larson Piano...